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(Hey, nothing’s perfect.) The script, by Rebecca Blunt (it’s her first, and it’s a beauty), exploits the Southern gift for turning something as basic as a series of freeway directions into a tall tale.
And Soderbergh, directing his first feature in four years (his last one was the superb HBO Liberace biopic “Behind the Candelabra”), plays, with an invisible wink, off the natural-born comedy of mile-wide drawls that veer from the charmingly folksy into a kind of good-ol’-boy theater (lying about your alibi, it turns out, is even more effective when you do it from behind the armor of a chicken-fried accent).
Niagara Regional Police officer Philip Gavin said: "Pieces of his memory started coming back.
"Then the social worker found something on the internet that led them to believe this was something more." A member of the original team investigating Mr Latulip's disappearance, Detective Constable Duane Gingerich, said: "I had hopes that he was out there somewhere.
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But he suffered a head injury en route which caused amnesia, Guelph Mercury reports.
The North America Missing Person Network described his disappearance: "He left his residence without his medication.
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He had been receiving treatment at a hospital in Kitchener, Ontario, in September 1986, after attempting to take his own life.
It is thought Mr Latulip, then aged 21, boarded a bus to Niagara Falls with the intention to try again, police said.
Steven Soderbergh’s “Logan Lucky” is a high-spirited, low-down blast.
It’s a let’s-rob-the-racetrack heist comedy set in that all-American place that even rednecks would have no problem calling redneck country: the land of NASCAR and child beauty pageants, spangly long fingernails and roadside biker-bar brawls, and — these days being what they are — chronic unemployment and spiritual stagnation.