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It’s a suicide mission.” The two explained that they several hours everyday applying various prosthetics to Gustafsson, keeping diligent notes about what pieces to use for each stage.
“It was quite hard,” admits Von Bahr, “but also a lot of fun.
Once in the room, Braun made the few Beliebers lucky enough to be "on cam" turn off their mic and respond via a system of thumbs-up/thumbs-down.After two months of communicating electronically, Charlie invites Annie to meet him at the mall.While her parents are dropping off Annie's brother at college, Annie goes to the mall and awaits her first face-to-face meeting with Charlie.We just couldn’t help ourselves.” Larson and Von Bahr first became involved in the project through producer Malte Forsell, who had worked with them before on David Fincher’s remake of “The Girl with the Dragon Tattoo” (2011).The film required the two not only to transform one of Sweden’s most popular comedians, the then 47-year-old Robert Gustafsson, into a convincing senior citizen, but to show his character at various other stages of his life. “If we failed this film, we would never work again in Sweden.